Ch+13-15+Deborah,+Stella,+AngieK,+Lynn

Chapter 13-15

LITERARY (angie-explanation) The Savage stood looking on. "O brave new world, O brave new world …" In his mind the singing words seemed to change their tone. They had mocked him through his misery and remorse, mocked him with how hideous a note of cynical derision! Fiendishly laughing, they had insisted on the low squalor, the nauseous ugliness of the nightmare. Now, suddenly, they trumpeted a call to arms. "O brave new world!" Miranda was proclaiming the possibility of loveliness, the possibility of transforming even the nightmare into something fine and noble. "O brave new world!" It was a challenge, a command

allusion and irony. -allusion to //The Tempest.// //-//irony now because he knows that its not this place of utopia. its a dysstopa.

"Not glad?" The Savage looked at her reproachfully; then suddenly fell on his knees before her and, taking Lenina's hand, reverently kissed it. "Not glad? Oh, if you only knew," he whispered and, venturing to raise his eyes to her face, "Admired Lenina," he went on, "indeed the top of admiration, worth what's dearest in the world ." She smiled at him with a luscious tenderness. "Oh, you so perfect" (she was leaning towards him with parted lips), " so perfect and so peerless are created" (nearer and nearer) "of every creature's best ." Still nearer. The Savage suddenly scrambled to his feet. "That's why," he said speaking with averted face, "I wanted to //do// something first … I mean, to show I was worthy of you. Not that I could ever really be that. But at any rate to show I wasn't absolutely //un//-worthy. I wanted to do //something//."

alliteration- W (poetic device) he is using poetry to declare war. -uses alliteration to emphasize DEAREST. gives a phrase sound more romantic, beautiful, poetic.

metaphor- Lenina is symbolic of the most beautiful of all things